Overview

Sweet & Sour exists as a paint-by-numbers intimate comedy depicting the problem of young love, specifically for those residing a huge selection of kilometers apart. But Lee Gye-byeok has one twist to really make the movie (barely) be noticed.

Overview

Sweet & Sour exists as a paint-by-numbers intimate comedy depicting the problem of young love, specifically for those residing a huge selection of kilometers aside. But Lee Gye-byeok has one twist to help make the movie (hardly) get noticed.

This post on the Netflix movie Sweet & Sour doesn’t include spoilers — the South rom-com that is korean released regarding the streaming service on June 4, 2021.

Lee Gye-byeok’s Sweet & Sour , Netflix’s co je eastmeeteast South Korean comedy that is romantic starts with a hepatitis client when you look at the medical center. The individual begins a flirtatious, odd relationship with Da-eun (Chae Soo-bin), a young nursing assistant whom asks to call him “Hyeok.” Since the patient that is 20-something healthiest during the period of 3 months, their relationship gets to be more than just chatter, gearing up towards a holiday journey for Christmas time. And then, half an hour in, he appears various.

Da-eun remains dating a guy named Hyeok, but he’s more fit, a bit less jealous, and apparently more built. a various actor shows up in this relationship, Jang Ki-yong. The 2 sort out a long-distance relationship as Hyeok is utilized in a larger architectural design company in Seoul. The next hour associated with the movie plays away while you might expect. Hyeok works later nights, Da-eun keeps her belated changes at a medical facility, additionally the two gradually move aside.

Nevertheless, Sweet & Sour keeps an atmosphere of oddity, as Hyeok fulfills a girl, Bo-yeong (Krystal Jung), at their company, a different one of this contractual employees, forging a love-hate relationship to become effective. They invest every together, hammering through projects, rising up the ranks night. This period continues very nearly to an incessant quantity while the market watches the slog that is daily of young people’s everyday lives. The narrative stalls, waiting for Hyeuk to make a move on either woman, just for the story to progress with little comedy or intrigue.

In a period of 10 minutes, Da-eun becomes expecting, posseses an abortion

Plus the relationship dates back to failing, showing any risk of strain of long-distance with this few. Sweet & Sour remains enthusiastic about checking out the problems among these relationships, but a commitment is had by it to considering faithfulness within dating, searching into this subject with varying quantities of success. Hyeuk struggles to determine if he should cheat with Bo-yeong, who he’s grown partial to, along with the building doorman shutting down any office lights each night, while Da-eun keeps on investing later evenings during the medical center, awaiting her boyfriend to help make decisions that are life-altering.

Although the movie follows a clear and apparent setup, it is true of broke in its last 5 minutes, a summary that seems both unearned and batshit-crazy in execution. Lee’s got guts to get rid of a easy movie with a convoluted ending, additionally the figures appear since confused once we are whenever every one of the twists are exposed. However it produces a more exciting movie, pressing one to look right right back over the course of the 100-minute movie with a various lens, certainly one of confused fascination rather than strengthened boredom.

Sweet & Sour will feel trite through to the last five full minutes, however it deserves credit for setting up clues that perhaps the many specific film sleuths won’t follow that is likely. The credits roll in this case, it doesn’t matter if the ending is earned because this brand of film rarely takes a swing by the time. If nothing else, Lee swung for the fences during the moment that is last happy to decide to try one thing brand brand brand new, irrespective of its general effect on the film-watching experience. And therefore deserves a way of measuring credit, though it won’t overshadow shakily drawn figures, uninspired cinematography, and fair acting that won’t elevate a fair script.